|
Unbottled

by Carol Abel
Letting
the Genie out of the Bottle
I
saw the genie
creep out from her bottled place
and tried to hide
but found her already waiting
in my dark corner
filling space and forcing me
to wander in the sunshine
and forget my fear.
Fran Sbrocchi
Drunk
on Emotions
I
pulled a bottle from the cool, musty cellar. Hmmm. It appears to
be a Nemaha Valley 1982 Vintner’s Select. Using my fancy estate
puller, I slowly withdrew the cork and heard the low-pitched “pop”
as it broke free from the neck of the bottle. I poured the blood-red
liquid into a glass and swirled it beneath my nose. Notes of promise
and despair arose, along with an undercurrent of clover. A hint
of lace and gardenias was slightly overpowered by top notes of fear
and excitement. As I took a sip, the first note was cakey, definitely
white, probably wedding, followed by strong flavors of cheap peach
brandy and the sharp tang of disappointment. The finish was subtle,
leaving behind a sense of mistaken identity, promises broken, and
chances missed. This is the exact vintage I drank at my wedding,
age 17. I had a glass just the same.
Karen
Roberts
Bottle a Story
This is not quite unbottling emotions
but check out the sea
symphony and consider making a message or story in a bottle.
Sarah
Boland, of Pop Fiction fame, showed students her first books
which she bottled and sold at a craft market. She had special labels
made for the bottles, rolled up the stories and popped them inside.
What a neat idea!
Caravanserai
On the roads, in the
ports and in the Holy Cities there was always something to buy and
sell.
The merchants of Damascus
and particularly Cairo used the relative security of the Hajj caravans
not only to sell at retail to the pilgrims, but also to transport
funds and goods wholesale to Makkah. Additionally, the merchants
would meet in the Red Sea ports with agents from India, China, South-east
Asia and elsewhere. The caravans would bring European textiles,
foodstuffs and a notable amount of coinage and return laden with
spices, drugs, coffee and Indian textiles. Returning pilgrims were
often weighed down with various objects of piety such as prayer
beads, often in such large quantities as to suggest the intention
of resale to the folks back home.
This all affected
the culture. A Tajik from Central Asia, for instance, might bring
a rug to sell in Makka, which might be bought by a North African
pilgrim and transported back to Morocco. There, weavers could inspect
and perhaps copy the workmanship and design of a craftsman thousands
of miles away.
A peddler approaches
the Caravanserai offering spirit teapots for pilgrims travelling
with this caravan.

Peddler by Heather Blakey
Will you be adventurous, buy from this
salesman and meet your spirit guide? Share your experience of 'unbottling'
on the Caravanserai blogger.
|
December 4 2005
Unbottle Your Emotions through Art
and Writing.

Bottles of Djin by faucon of Sakin'el
illustration by Heather Blakey
I had been mentored long ago,
to forget past fears and regrets,
"put them behind you, and move on."
and this I believed and give it a whirl,
and learned of PTSD and forlorn grief,
sinister shadows and cold, hard stones.
Then
came a knowing, blessed relief --
that I am today what I have been,
and I saved those memories in boxes,
ordered on carefully dusted shelves,
to be retrieved by controlled will,
and cherished.
Today
I gained some mirthful wisdom --
to use jars instead of hiding boxes,
and thereby gain an easier,
possibly more enchanting view,
of distortions made clear,
and sharp edged demons
contorted soft and lonely.
When we set out on the journey to explore
the realm of the Silk Road I made the commitment to complete a sketch
each day. Given that I had never believed I could draw this was
quite an undertaking. I bought the best quality pencils and paper
and a supply of books that provided insight into techniques and
set about drawing the journey and the characters who participate.
In no time at all I realised that my interest was in drawing 'fairy
story' style illustrations and once I had my genre established there
seems no end to suitable subject matter.
What I never quite anticipated was that
drawing would provide such an outlet for bottled up emotions. It
has provided very important therapy at a time when my husband and
I are battling his bowel and pelvic cancer. As I have sat sketching,
in an almost meditative state, memories I had thought had all but
disappeared have come wafting back to comfort me.
When Darryl and I go to the oncology
day ward to have his treatment I take a small kit of supplies and
sit sketching. The time seems to drift by and stress evaporates.
Today some hardy Silk Road travellers share art and writing
techniques that have enabled them to unbottle their emotions
and gain important self insight.
Keeping Pandora's Box

"I have what I call my own "Pandora's Box."
A mental box, I imagine it to be an 11˝ by eight inches by eight
inches deep black leatherbound box, with an embossed design
on the lid. I've never taken a "close look" at the embossed
design; I haven't wanted to, but instinctively I know it's a
face. The face of either Anger or Hurt. The gold latch is a
simple one, like you see on suitcases." Read about how,
like Shiloh Cannon Burn, you can keep
a Pandora's Box.
Cathartic Writing and Art Techniques
1. Sketching can help you identify why
you are feeling stressed. When Heather Blakey drew 'Koschey's Party
Punch' she was coming to terms with why everyone is feeling heightened
anxiety.

2. Shiloh Cannon Burns writes about a
desire for a
Special Spot and in doing so finds that very spot.
3. Unsent letters have proven therapeutic
qualities. To learn more about techniques including guided imagery
check out Soul Food's Writing
for Well Being and Peeling
the Onion sections The activities located here are tried and
true and the Spirit
Lifter section has lots of practical suggestions
|