![]() |
|
Boabs The Boab has been a bounteous tree to the Aboriginal people. Almost every part of the tree is used in one way or another. The seed pods have a woody casing with a velvety covering that is scraped off to create artwork on the pod. The seed kernels are eaten raw or roasted, and are a highly nutritious food source. Leaves and roots are used for medicinal purposes, primarily gastric and chest complaints. The Boab's bark is used to make string, rope and twine, and the gum of the tree can be used as glue.
Dimensions: 23cm x 13cm Artist: Barbara Backstrom Material: Hand Carved Boab nut A$129.80
|
The Creative Spirit Never Evaporates
The interior of Australia is totally unpredictable. Depending upon the season it was entirely possible for explorers to return to find an entirely different world to what they had passed through just a few months earlier. Stretches of land deemed suitable for pasture during a good season are turned to savage desolation during prolonged dry seasons. Ernest Giles, who traversed the continent in 1874-6, once wrote, 'exploration of a thousand miles in Australia is equal to ten thousand miles in any other part of the earth's surface, always excepting arctic and antarctic travel.' Sturt was unfortunate in that 1844 and 1845 proved to be drought years, amongst the most intense on record and 'even areas which in normal years nowadays are considered excellent pastural lands were blazing deserts. He was the first white man to enter the terrible district known as the Simpson Desert, and for six months he was trapped alongside the receding waters of a fast evaporating creek. Sarah Murgatroyd, author of The Dig Tree, noted how dismayed William Wright was to find that, waterholes that had sustained Burke's party on his journey north just months before, had shrunk into undrinkable sludge. His horses "became so thirst-crazed that they burned their lips trying to sift through the embers of the fire looking for water." Wright, who was trying to bring relief to the Cooper's Creek, believed that all native life had died in the interim. Murgatroyd explains that this impression was an illusion, a rather clever drought defying strategy perfected by inhabitants of the desert. In fact "the spinifex had thrust its roots deep into the soil and shivelled its razor-sharp stems to prevent evaporation. The giant gum trees had dropped many of their giant limbs to concentrate their nutrients and the acacias began to use water stored in a special taproot. The kangaroos halted reproduction, leaving their embryos in a state of suspended animation to await more favourable conditions." For thousands of years the Aborigines used every part of the distinctive Boab Gourd Gourd tree. This tree, affectionately known as the Bounteous tree, because of the diverse bounty it provides for aboriginals and other travellers, grows in Northern Australia. The trunk stores water, and it has been estimated that up to 120,000 litres of water may be stored by one tree. The gallons of good, sweet water are stored by the tree for the dry season and was used by roving aborigines, birds and other travellers during dry seasons.
Neither William Wright's team, nor Burke and Wills for that matter, possessed drought defying strategies such as those of the Boab tree, and, perhaps more significantly, their lack of bushcraft meant that they were oblivious to nature's secret supplies. Heat and thirst took a toll on all the expeditions that set out to cross the interior of Australia and the suffering of the men who walked these areas is extraordinary. Caught in the wasteland of modern society an individual can feel parched and drained of all creativity. However, the artist needs to remember that just as the kangaroo is able to leave their embryos in a state of suspended animation, creativity can be suspended and drawn upon in more favourable conditions. The creative waters do not evaporate from the eternal waterhole within. Those willing to tap these sweet waters will testify to the bounteous supply. Keeping the Creative Flame Alive Women Who Run With The Wolves by Clarissa Pinkola Estes stands alone as far as providing a mannual for those who need to nourish the creative life and keep their creative flame alive. Clarissa Pinkola Estes not only searches out the scorched and fragmented land of our psyches, but brings back the lost parts which would make us whole. My well marked copy rests, like a Bible, on my night table. Pinkola Estes says that "being with real people who warm us, who endorse and exalt our creatitivity, is essential to the flow of creative life. Nurture is a chorus of voices both from within and without that notices the state of a woman's being, takes care to encourage it, and if necessary, gives comfort as well. I'm not certain how many friends one needs, but definitely one or two who think your gift, whatever it may be, is the pan de cielo, the bread of heaven. Every woman is entitled to an Allelujia Chorus." Try some of the following simple daily strategies to fill the well and ensure that there is gallons of good, sweet water to sustain you during 'drought periods.'
This template has used elements of the famous Burke and Wills painting by Sidney Nolan (1917—1992) Collection Nolan Gallery, Cultural Facilities Corporation Canberra |